Tuesday, 1 March 2011

2011 Italdesign Tex Concept


Four real seats, front wheel drive and a gently aggressive line, the Tex fits into a long tradition of Volkswagen brand sports cars.

"We designed the Tex in actual fact thinking to the Volkswagen sports cars of the years to come," commented Fabrizio Giugiaro, deputy chairman and style manager of Italdesign Giugiaro. "We intentionally kept a family feeling that would immediately identify it as a Wolfsburg product close to production. No visionary or futuristic choice was made, but it is rather a natural evolution of today's canons with the addition of a few technologies that will shortly become available on the market."

Compact, very low (1355 mm in height) and 1750 mm wide, the Tex at first glance looks like a sports car with great grip on the road, stressed by the large 19" wheels at the ends and generous wheel arches.

Its set-up is that of a classic two-door coupé whose clearly sporty personality is emphasised by an aggressive front and its rear flaunting two spoilers.

The side view is marked by lines that sculpt the doors next to the air exit of the front wheels and its waistline that rises up toward the tail.

The front is distinguished by a slender grille that encloses the light clusters in an unprecedented trapezoidal shape and three air intakes in the bumper/spoiler zone, necessary for cooling the brake discs and 1.4-litre turbo engine. The VW badge sits in the centre of the grille and is optically underscored by the V-shaped groove of the bonnet. Windscreen and roof are a single piece of glass that becomes dark electronically.The large rear window dominates the rear and accommodates two spoilers, with the windscreen wiper housed in one at the bottom. Like the Go! previously, the light clusters are under the windscreen and are invisible when the panel is off. Access to the luggage compartment is permitted by raising just the rear window and, once it is open, the light indicators are repeated by the two supplementary tail lights located in the lower part of the bumper, at the sides of the rear air intake that also contains the rear fog lights.

INTERIOR

As in the Go!, the Tex's interiors have also been designed to offer the occupants maximum space and maximum ergonomics. The passenger compartment is definitely geared to the driver. All of the instruments are positioned in a functional manner and wrap around the driver so as to leave the passenger an incredible sensation of space. The large dashboard containing the controls and driving information grows smaller as it approaches the door panels so as to make getting in and out of the passenger compartment easier.

"We designed the interiors so that the first sensation would be that of entering a sports car," continued Fabrizio Giugiaro. "The driver has to be able to find himself, and this is why we chose finish details and elements that refer back to the classic idea of the sports car. We have adopted the large gear knob and leather interiors, with the speedometer and rev counter situated in the classic position behind the steering wheel and with 'analogue' graphics, precisely for that reason".

If the outfitting is classic in style, the contents are instead full of the maximum technology available today. All of the controls and indicators are housed in LCD screens, as is the infotainment console put on a touchscreen in the centre of the dashboard, set in a transparent structure that lays bare the structure.

The dashboard is separated from the central tunnel, an unusual solution for a car, but wraps around the driver with a graphic and colour continuity.

The two rear seats are independent and can be folded down.

STRONG HEART, GENTLE SOUL

The Tex is fitted out with the hybrid plug-in system called Twïn Drive conceived and developed by Volkswagen.

The Twïn Drive couples a 1.4-litre turbo internal combustion engine with a battery-powered 85 kW peak electrical system capable of developing 400 Nm when used combined together.

It has front-wheel drive with a 7-gear Direct Shift gearbox with gearshifting on the steering wheel.

Its performance is that of a pure sports car. The Tex is able to reach 100 km/h from a standstill in about 6 seconds, and reach a top speed of 220 km/h.

However, in this case sportiness and eco-friendliness are not worlds apart. The Tex is able to cover approximately 35 km in the totally electric mode, mostly enough for getting around during the day.

2011 Italdesign Go Concept


Designed for the city, the Go! together with the sporty Tex could increase the wide range of Volkswagen products to A0 segment even more.

With the same wheelbase as that of the Passat - 2700 mm - the Go! is a hatchback boasting a total length of 3990 mm thanks to its smaller overhangs. The battery pack is housed underneath the front and rear seating positions. This vertical package allows for the Go! a weight distribution of 58% on the front and 42% on the rear.

"With this exercise I wanted to continue the design of a car able to offer maximum utilisation of its interior," Giorgetto Giugiaro stated. "The project started with the 1976 New York Taxi, and continued with the 1978 Megagamma, the 1998 Structura and then came to maturity with the 2010 Emas. The Go! is less than 4 metres long, but offers more passenger room than that of a large SUV and has a 400 up to 525-litre boot, ideal for city use."

The design of the exteriors is dominated by extensive glass surfaces, in clear contrast with the trends of recent years of providing cars with increasingly smaller windows. In addition to filling the passenger compartment with light and giving its occupants the chance to thoroughly enjoy city scenery, also thanks to its totally glass roof, this design offers the driver with maximum visibility while driving.The A pillar is in particular considerably farther forward than its traditional position, and the bulk of the door mirrors is eliminated by using cameras. The side windows also extend beneath the waistline - markedly high and optically taken up again by adding a longitudinal structure that crosses the side windows - drawing on a solution introduced in 1988 with the Asgard prototype.

This lets the driver benefit from maximum visibility even during manoeuvres and when taking tight curves.

Like in the Emas, only the lower part of the windows (the part beneath the longitudinal structure) can be electrically lowered. This solution reduces the weight that the electric window mechanism has to support to a minimum, and is in any case necessary for meeting all of the essential operations such as paying tolls or refuelling.

The seat H point (corresponding to the passenger hip position) is located higher than that of mass-produced cars but lower than that of an SUV. This solution makes getting in and out of the passenger compartment extremely comfortable.

An electronically driven system pushes the door outwards and pulls it back parallel to the vehicle body for gaining access to the rear seats. This mechanism, which draws on the one used on the VW Milano Taxi (presented in May 2010), offers the advantageous practicality of sliding doors but without sacrificing their section (room is found inside for a comfortable armrest) and makes it possible to do away with the unattractive tracks on the body typical of this solution.

Without sacrificing the family feeling typical of the Golf and the Golf Plus, the Go! offers innovative solutions both in the front and back that combine aesthetic pleasure with practical functionality.

The grille, dominated by the large VW badge in the centre, incorporates the front light clusters with Xenon/LED technology. The air intake is placed at the height of the fog lights and horizontally splits the front spoiler, adjusting the air flow necessary for cooling the front electric motors.

The tailgate reintroduces the theme of the glass surfaces interrupted by a longitudinal insert that not only optically takes up the theme characterising the side view, but conceals the windscreen wiper and rear cameras that turn on when the reverse gear is engaged.

To make loading luggage easier, the tailgate can be operated electronically for both opening and closing. A sensor that activates the opening mechanism by simply moving the foot is also fitted underneath the bumper.

The light clusters are positioned under the glass surface and are invisible when the panel is off. When the tailgate is opened, they are repeated by two additional taillights located in the lower part of the bumper, beside the rear air intake, which also house the rear fog lights.

INTERIOR

Ergonomics is certainly the word that best describes the concept of the Go!'s interiors.

All of the elements have been styled and designed while keeping man in mind. Every single detail - from entering the car and using its controls to the shape of the seats and the instruments - has been designed from an ergonomic point of view.

The driver and three passengers sit on four identical and electronically adjustable seats. Those in the rear can also be folded down using an electronic adjustment mechanism and with remote control, and they form a single surface on the rear floor panel level to increase the maximum loading volume to 525 litres.

A storage console/sliding armrest sits between the front seats. If completely pulled back, it aids the driver when getting out from the passenger side. This solution is particularly useful if parking is narrow or if there are objects blocking the opening of the left door.

What's really new is the unprecedented positioning of the control panel. Once again with maximum ergonomics in mind, the most important information such as speed, fuel consumption and fuel level is placed at the base of the windscreen, in the rear of the deep dashboard. Giugiaro was extremely keen on this solution. "With the controls positioned in this way, the driver does not have to continuously change his focal length between the foreground of the dashboard and the long surface of the road in front of him. With this layout he can keep his eyes set on the road, distraction-free, and have all of the information necessary for driving available at all times."

The monitors of the rear view cameras are also at the base of the windscreen, but at the two side ends.

The dashboard contains a touchscreen monitor in the classic position. It groups together all of the auxiliary controls, the infotainment system, the satellite navigation system and, when the reverse gear is engaged, the images of the camera for manoeuvring.

ECO-FRIENDLY ESSENCE

The Go! is equipped with the electrical Blue-e-motion system totally designed and developed by Volkswagen.

Ideal for city traffic, the blue-e-motion system lets the Go! travel roughly 240 km in the combined cycle without emitting even a single gram of CO2.

2011 Ford Focus Touring Car


The world's first touring race car based on the all-new Ford Focus makes its global debut at the 2011 Geneva Motor Show, just weeks before it is scheduled to appear on the track for the first time in the ultra-competitive British Touring Car Championship at Brands Hatch.

Developed by Arena International Motorsport, with technical support from Ford, it is the first car to emerge from a global initiative by Ford to support private teams around the globe in developing one common race car to S2000 specification, to help private teams win major touring car categories worldwide. The first application appears on the track only a few weeks after the road-going Ford Focus will be on sale to customers across Europe and North America.

Arena International Motorsport's UK-based Team Aon has been a successful long-term competitor in the British Touring Car series with a version of the previous Focus ST model. Just 18 months after their first race with this car, the team and driver Tom Chilton secured both the 2010 Independent Teams' Championship and Independent Drivers' Championship titles in the UK.

The new Team Aon Focus touring car is expected to compete in all 10 rounds of the 2011 British Touring Car Championship .

"There has been tremendous interest in new Focus from the racing community and it's the perfect fit for a global touring car. This new BTCC Focus is the first result of a collaborative effort between Ford and race teams around the world that have already built and raced successful Focus race cars," said Jost Capito, director of Ford Global Performance Vehicles and Motorsport Business Development. "The teamwork has resulted in a global technical platform for racing using a common Focus with a safety cage built to FIA regulations - a competitive platform that can be tailored for regional competition, based on different rules."

2011 Rolls-Royce 102EX Electric Concept


Rolls-Royce Motor Cars proudly presents Rolls-Royce 102EX, a car that represents one of the most significant initiatives taken by the company in recent years. It is the world's first battery electric vehicle for the ultra-luxury segment and continues a tradition of experimental cars running through the model generations.

Rolls-Royce produces cars that represent the pinnacle in luxurious motoring for the world's most discerning customers. However, the company also recognises the need to look to the future and to plan for long-term sustainable growth. An investigation into alternative drive-train options is an important step in that process.

With Rolls-Royce 102EX, also to be known as the Phantom Experimental Electric (EE), it is the company's intention to carefully test the opinions and reactions to alternative drive-train options of a range of stakeholders including owners, enthusiasts, members of the public and the media.

Throughout 2011 Phantom EE will serve as a working test bed, giving owners, VIPs, the media and enthusiasts the opportunity to experience an established alternative drive-train technology and to feed back their experiences, thoughts and concerns directly.

The bank of research gathered from a global drive programme that will include Europe, the Middle East, Asia and North America will be crucial to decisions affecting alternative drive-trains for Rolls-Royce Motor Cars.

There are no plans to build a production version of this car. Phantom EE's role is as a test bed, designed to explore established BEV technologies, to pose as well as to answer questions.Can Phantom EE deliver an acceptable range for customers without frequent re-charging? Is there confidence in its ability to operate in extreme conditions? Will reliability and quality be consistent with expectations of the world's pinnacle automotive brand?

Phantom EE also poses more fundamental questions: Is an all-electric drive-train able to deliver an authentic Rolls-Royce experience for customers, an experience that truly befits the marque?

Whether all-electric or another alternative drive-train option is right for Rolls-Royce will become clearer when the test programme is complete at the end of the year.

Rolls-Royce 102EX - PHANTOM EXPERIMENTAL ELECTRIC (EE)

Reinvention is part of being timeless and Phantom EE is the latest in a line of experimental vehicles from Rolls-Royce Motor Cars. It builds on a legacy which dates back to 1919 and 1EX.

Experimental models are used to test and evaluate new technologies and applications which could shape future Rolls-Royce products. Unlike a concept car, Rolls-Royce experimental models are always fully functioning, drivable vehicles using tangible materials such as wood, leather and metals rather than clay and foam or other concepts.

They present engineers and designers with the opportunity for real-world innovation and are used not only to showcase new components and engineering techniques but also to evaluate them.

The latest in this line of experimental projects began with a Rolls-Royce Phantom, a strikingly modern and immaculately proportioned car in which high technology and hand-craftsmanship combine to produce something extraordinary.

Phantom EE features the car's ground-breaking aluminium spaceframe, so important to dynamic prowess, as well as the sense of calm and tranquillity enjoyed by occupants. However, the naturally aspirated 6.75-litre V12 petrol engine and 6-speed gearbox have been replaced by a lithium ion battery pack and two electric motors mounted on the rear sub-frame. These motors are connected to a single speed transmission with integrated differential.

Each motor is power rated to 145kW, giving Phantom EE a maximum power output of 290kW and torque of 800Nm available over a wide band. This compares with 338kW for standard Phantom with maximum torque of 720Nm, delivered at 3,500rpm.

The Nickel Cobalt Manganese battery chemistry holds around 230Wh/kg,a high energy density which is important in achieving an acceptable range between re-charges. Pre-launch tests suggests Phantom EE should run to a range of up to 200km. Delivered on an effortless wave of torque, 0-60mph will be achieved in under eight seconds (5.7 seconds in standard Phantom), with top speed limited to 160kph.

This is the first application of the technology in a GKL++ segment (super luxury vehicles priced at more than €200,000) and the battery pack is thought to be the largest ever fitted to a road car.

Evaluation of technology is an important part of the test programme. However, more fundamentally the car will seek answers to questions posed of Rolls-Royce owners: what their needs might be for the future considering factors such as range, performance and re-charging infrastructure.

The feedback from customers - as well as media, stakeholders and enthusiasts via the website www.electricluxury.com - will prove essential in evaluating the appropriateness of battery electric technology for Rolls-Royce.

It will help inform a decision on whether all-electric, or another alternative drive-train technology, will be most appropriate for the world's best cars of the future.

DESIGN

"It's a credible design concept that perfectly complements the experimental nature of the car, exploring options in light, space and use of materials. Had we changed the overall aesthetic, the concept would have lost credibility; our audience would assume it was simply a styling exercise. The reality is that this is an experimental vehicle in its truest sense, challenging perceptions, emotions and values - as well as exploring alternative drive-train technology." - Ian Cameron, Chief Designer Rolls-Royce Motor Cars.

102EX bears the famous hallmarks of the Rolls-Royce Phantom on which it is based, such as hand craftsmanship, fine detailing and iconic design cues like the pantheon grille and the Spirit of Ecstasy which celebrates its centenary in 2011. However, at the core of its design is the essence of an experimental vehicle, establishing this car's status as a test bed, while subtly alluding to its electric power plant.

The design creates a different aesthetic, experimenting with interior space and materials, as well as trims and illumination. These are framed around functional considerations for a battery electric Rolls-Royce - how the car is likely to be used and the changes that the technology brings in terms of interior space and exterior detailing. Naturally, these changes are executed in a way that affirms the car's credentials as a Rolls-Royce.

ATLANTIC CHROME EXTERIOR

Our designers were challenged with creating a finish for Phantom EE which immediately signified a special car, distinguishing it from standard Phantom models in the absence of many overt design changes. Not an easy task, since all Phantom models are special - with customers benefitting from a range of bespoke paint options running to some 45,000 colours.

Extensive research however had revealed a highly reflective paint using ceramic nano particles. Under a microscope these mimic the impression of a silver metal, but are between 8,000 and 80,000 times smaller than the thickness of a hair or 1,000 times smaller than the size of a normal metallic paint particle.

Test parts were produced and the design team were impressed with the results, knowing that the larger the object covered the better it would look. But they were under no illusions as to the task ahead.

In all sixteen coats of paint were needed, of which four were Atlantic Chrome, and many hours of time dedicated to ensuring a perfect end result. The finish is a striking one. Phantom EE commands the stage, with taut almost chiselled lines giving a wet impression to the car. This only grows in character as light conditions change.

ILLUMINATED SPIRIT OF ECSTASY

As well as the launch of Rolls-Royce 102EX, 2011 marks another milestone in the history of Rolls-Royce Motor Cars. On 6 February 1911, the design for Charles Sykes' Spirit of Ecstasy was first registered, signalling the start of a 100 year period in which this famous icon has adorned the prow of Rolls-Royce cars, from the famous Silver Ghosts, Clouds and Shadows of the 20th Century to today's hand-built Phantom and Ghost models.

Phantom EE's Spirit of Ecstasy, sits atop the radiator grille above the red double-R badge applied to EX models. Made of Makrolon, rather than stainless steel, it will be bathed in blue LED light, hinting at the electric technology beneath the bonnet. This stunning image complements the keynote graphic of website - www.electricluxury.com - where Rolls-Royce Motor Cars will expand the debate on the question of electric luxury to the online community, taking views from enthusiasts, media and members of the public.

INTERIOR DETAILING

Atlantic chrome-finished dashboard dials echo the exterior colour, providing a sense of interior-exterior balance and their analogue displays maintain the timeless architecture that every Phantom interior commands.

Other changes hint at further evolutionary designs applied to the car. For example, some dials have been subtly modified to provide information needed by the driver of an electric vehicle. The fuel gauge in particular has been replaced by an elegant battery charge indicator.

One of the most pleasing features of every Rolls-Royce Phantom interior is the power reserve dial located beside the speedometer. This reveals how much of the V12 engine's power remains at a driver's disposal. Phantom EE takes this concept a step further.

It features a regeneration symbol which takes the dial beyond the normal 100% line of standard Phantom. Depending on the momentum gathered, it conveys the degree of re-charge taking place as the vehicle is in motion.

EXTERIOR RE-CHARGING POINT

Re-charging is undertaken with a plug and five-pin socket which takes the place of the normal fuel filling mechanism for Phantom.The standard fuel filler cap has been replaced by a design featuring a clear window, displaying the RR logo and 102EX motif. The window frames rear-mounted, tricolour LEDs which present the car's charging status.

On start up, the socket is bathed in blue light. This begins to flash as charging commences. When completely charged, the display turns green, then flashing green as the solenoid is disengaged. A potential fault in the system is indicated by either constant or flashing red light.

Charging can be halted via a switch located adjacent to the plug. The process can also be operated inside the vehicle using controls accessed beneath the centre console, for example when induction charging is taking place.

CENTRE CONSOLE DETAIL

A key identifier for Phantom EE is the design of the centre console charging and display, sited below the central arm rest. A simple switch is used to start and halt charging, while the display itself features a bright plate with an image of a battery, lit by LEDs.

Reflecting the lights applied to the exterior charging point, this image changes colour according to the charge status of the car. A blue-lit battery shows the vehicle is on standard charge, while pulsating blue indicates that inductive charging is taking place. Green indicates a fully charged battery while red notifies engineers of a potential fault in the system.

CORINOVA LEATHER

"At Rolls-Royce we pride ourselves in producing an authentic and natural product for customers, the quality of which is second to none. Seton Corinova is an experimental vegetable-tanned leather that allows us to celebrate more of the curves, creases and other features that are part and parcel of the life of the animal. It's a more sympathetic process that stretches our understanding of Rolls-Royce interior expectations. Owners' reactions will prove fascinating during the tour." - Andrew Monachan, Rolls-Royce Motor Cars General Manager, Leathershop.

Interior wood veneers present Phantom owners with unique grains, patterns and detail adding weight to the fact that every model leaving Goodwood is as unique as the finger print of its owner. Phantom EE takes this concept a step further.

Its leather interior is derived from a natural vegetable tanning process christened Corinova. This gives life to the car, adding definition to the seats, floor and arm rests.

Most leather produced for automotive applications is chrome tanned. This is an important constituent that helps to stabilise animal hides and transfer collagen into leather fibres. The barrel-dyeing process used to colour Phantom interior leathers gives a rich, uniform pigmentation while maintaining the natural feel and softness.

An experimental leather, Corinova distinguishes itself by being entirely chrome free. It starts with a preparation of Glutardialehyde to prepare for tanning. Chestnut extract, sustainably sourced from Southern Europe and Tara powder from crushed fruit of the Tara bush in South America are used for drum-spun colouring. Fruits are harvested without damage to the plant and the product is finished with a combination of natural binders and high tech polymers.

The process lends itself only to certain earthy colours - in the case of Phantom EE a chestnut colour for seat covers and Quebracho Brown for other areas such as the floor and trunk lining, both of which are made of durable saddle leather.

As well as aesthetic differences, Corinova leather presents a number of practical benefits. It uses less paint finish than in standard chrome-tanned leather and creates less waste. It negates the use of petrol-refined products and with further development, it may be possible to use recycled Corinova leather in agriculture to aerate soil.

Rolls-Royce fully expects perceptions to be challenged and first impressions will no doubt focus on appearance, as features that define the life of the animal are more clearly visible in areas like seats and armrests than in production Phantom interiors. A change from the sumptuous finish applied to Phantom leather may imply a compromise to some owners, but others may welcome distinguishing features that stretch individualisation for Rolls-Royce Phantom models ever further.

As well as gauging owner feedback, the leather will be tested for its durability and performance after several months on tour.

INTERIOR PANELS

The interior of Phantom EE represents a departure from the traditional wood sets that define the majority of cars delivered to customers, providing a unique finish to the car. It features a distinctive aluminised foil weave that lifts the environment of the interior, contrasting sharply with the darker natural leather within. As is the case with Corinova leather, the aim is to challenge traditional perceptions of what might constitute a Rolls-Royce interior design scheme.

BATTERY PACK

Phantom EE is thought to have the largest passenger car battery in the world. Peak current is 850A, delivered at 338V DC. Overall capacity is 71kWh.

The pack is comprised of large-format NCM pouch cells. NCM (Lithium-Nickel-Cobalt-Manganese-Oxide) is a variant of lithium-ion chemistry that has particularly high energy and power densities.

The Phantom EE battery pack houses five modules of cells, a 38-cell module, a 36-cell module, and three smaller ones of ten, eight and four arranged in various orientations within an irregular shaped unit. This resembles the overall shape of the original engine and gearbox.

Each of the 96 cells was individually tested before assembly into modules to determine their characteristics and capacity. Sub-assemblies were further tested under load to verify that the power connections between each cell perform to specification.

The electronic sensing units for each group of cells were tested and calibrated prior to assembly and put through a rigorous temperature cycling regime designed to provoke failure of weak components. The main electronic box, which contains the switching and control gear, was tested in isolation from the other components to verify correct operation.

Three separate charger units (3kW each) are fitted to the battery, which allow both single-phase (20 hours) or three-phase charging (8 hours); for a passenger car this is unique. A fourth induction charger is also fitted to enable wireless charging, a technology being trialled in Phantom EE.

The battery pack would be expected to last over three years were it to be used every day. Part of the programme however will be to test this assumption in a real world environment and deliver a more robust answer to the question of battery lifespan.

INDUCTION CHARGING

Concerns about lack of available re-charging infrastructure in towns and cities are well documented and critics of electric motoring point to the additional inconvenience of trailing cables connected between power source and vehicles.

To present Rolls-Royce owners with a vision of a potential solution to these problems, Phantom EE is testing a technology called induction charging. This allows re-charging to take place without any physical connection, delivering greater convenience for owners and hinting at the potential for a network of remote charging facilities.

There are two main elements to induction charging; a transfer pad on the ground that delivers power from a mains source and an induction pad mounted under the car, beneath Phantom EE's battery pack. Power frequencies are magnetically coupled across these power transfer pads.

The system is around 90 percent efficient when measured from mains supply to battery and it is tolerant to parking misalignment. For example, it is not essential to align the transmitter and Phantom receiver pads exactly for charging to take place. While pads are capable of transmitting power over gaps of up to 400mm, for Phantom EE the separation is in the region of 150mm.

The coupling circuits are tuned through the addi­tion of compensation capacitors. Pick-up coils in the receiver pad are magnetically coupled to the primary coil. Power transfer is achieved by tuning the pick-up coil to the operating frequency of the primary coil with a series or parallel capacitor.

The pick-up controller is an essential part of the technology because it takes power from the receiver pad and provides a controlled output to batteries. It is required to provide an output that remains independent of the load and the separation between pads. Without a controller, the voltage would rise as the gap decreases and fall as the load current increases.

The transmitter pad has been constructed to shield magnetic fields to prevent EMI egress to bystanders and the system operates well within internationally agreed limits.

ELECTRIC CARS AND THE FOUNDING FATHERS OF ROLLS-ROYCE

Charles Rolls, Henry Royce and Claude Johnson played their part in an electrical revolution that pre-empted the establishment of internal combustion as the dominant car engine technology.

Henry Royce had developed a career as an accomplished electrical engineer before turning his expert hands to car manufacturing.

His business F.H. Royce and Co, which began selling simple lights and bell sets in the 1890s, became prosperous through the design and delivery of dynamos, electric motors and industrial cranes. Royce's many innovations include the patent for the bayonet bulb holder, a design that endures today.

One of Royce's clients was Pritchett and Gold, a company based in Feltham in Middlesex. As well as manufacturing accumulators they had developed a two-seater electric car, at least one of which was powered by a Royce electric motor.

The Honourable Charles Rolls also toyed with electric motoring in the years before the two men met. He had negotiated for the selling rights of an electric brougham, through C.S Rolls and Co, in Conduit Street, London which latterly established exclusive rights to sell Rolls-Royce models.

It is likely that this car was part of the City and Suburban Electric Car Project, a joint venture of two men, Paris Singer and one Claude Johnson. The project had a short life and Johnson left to join the rapidly expanding business of Rolls, latterly taking the role of managing director of Rolls-Royce. He became known as 'the hyphen in Rolls-Royce', with a pivotal role in its success.

Charles Rolls was on record outlining the merits of electric drive-trains - as well as raising prescient concerns about range and re-charging. He regarded a model called the Columbia as the best of its type, commenting in Automobile Journal:

"They are perfectly noiseless and clean. There is no smell or vibration and they should become very useful for town use when fixed charging stations can be arranged. But for country use I do not anticipate they will be very serviceable - at least not for many years to come."

Later, when the first exports of petrol powered Rolls-Royce models were made to America, some authorities refused to believe they were not electrically powered, thanks to their legendary near-silent running.

In the 21st Century silence remains a key signature for Rolls-Royce cars. Other attributes of all-electric drive-trains also allude to famous Rolls-Royce characteristics. Power at low speeds is one example.

Thanks to improvements in battery technology, it may be that the serviceability to which Rolls referred more than a century ago is now sufficiently developed to re-visit all-electric motoring as an option.

2011 Skoda Design Concept


Škoda is offering a glimpse of the future by unveiling a Škoda Design Concept at the 2011 Geneva Motor Show. The economic goals set by the carmaker require a new focus drawing on the inspiration of a tradition stretching back for more than 110 years. The use of modern stylistic elements and the latest technology is a logical step. The Škoda Design Concept gives fleshes out the contours of the growth strategy with clearly defined features, maximum care and attention to detail.

Tradition with vision: evolving towards success

The concept singles out characteristic design elements of the Škoda brand and guides them forwards towards the future. The long wheelbase and short overhangs are a prerequisite for successful automotive architecture as they both allow for above-average interior space and, coupled with the dynamic roof line, lend the car a high degree of visual majesty. The fluent integration of the tailgate underscores the entire car's sophisticated practicality. The high everyday utility value and distinctive interior modular design are traditional brand values which are freshly interpreted in a more modern form here. The grille with its unobtrusively shiny finish symbolizes the brand's aesthetic blueprint, its fine slats resembling taut harp strings.

Sending out a clear signal: a new logo and distinctive lighting elements

The newly arranged and clearly structured logo stands out in the middle of the car as the starting point for all the contours. It intersects the horizontal line of the bonnet, highlighting its special status as a symbol of quality and success.The Škoda logo is bordered on the sides by four headlights reminiscent of a symbolic four-leaf clover. They endow with the concept with a pleasant yet pragmatic countenance expressing warmth and chemistry. The C-shaped rear lights have become a characteristic of each Škoda vehicle unmistakable both in the daytime and at night. In Škoda Design Concept, this precisely rendered lighting architecture has become the rear section's defining element.

The silhouette of spirit: light and shadow play with balanced window design

The Škoda Design Concept's athletically sleek silhouette emphasizes the starkly defined light and shadow play created by the sharp wedge-shaped line, allowing the balanced proportions to come to the fore. The side profile is equally well rendered. For example, the rear edge of the door is complemented by the bottom front area of the side mirror, delivering an entirely new aesthetic impression.

The concept epitomizes high design value to the finest detail. Above rear bumper, small grooves connecting the rear lights to the licence plate holder; the resulting triangular elements represent precision reminiscent of the cut crystal and lend the car character and individuality.

Generous interior: choice materials and crystal glass

In this concept, the exterior precision is mirrored in the interior. Values typical of the Škoda brand, such as the generous space and sophisticated practicality, have been composed very sensitively in terms of the materials and elegant shapes employed. The lighting creates a pleasant environment, friendly ambience.

The use of crystal glass is a completely new, attractive idea reflecting a special link with Czech culture, art and craftsmanship.

The Škoda Design Concept marks another big step into the future for Škoda. Its forms shapes are dynamic, stimulating the imagination of observers without provoking them, and offering an undistorted view of the outlook for cars made in Mladá Boleslav. It is here in this Czech town that designers and engineers have paved the way for future success. This traditional Czech brand is now best placed to achieve its ambitious goals: economic growth coupled with new design full of potential, while preserving established traditional strengths such as great performance, value and precision.

2011 Seat IBX Concept


SEAT is pushing forward with the development of its new design DNA - as an urban sports utility vehicle, the new SEAT IBX Concept car combines the powerful character and sporty design language of the Spanish brand with a self-confident look and distinctive proportions. The SEAT IBX also boasts exceptionally utility and outstanding versatility, as well as sustainable mobility through resource conservation. Its drive would come from an advanced hybrid powertrain that combines local zero-emissions electromobility in the city with the extensive cross-country range of an internal combustion engine.

In laying the groundwork for SEAT's innovative, further developed design language, the compact IBE electric sports coupé from last year met with enormous resonance and positive feedback. The IBX now demonstrates the evolutionary development of this new genetic code from SEAT Design - in a completely different vehicle architecture, a crossover between SUV and sports coupé.

The sporty alternative in the SUV segment

At a length of 4.26 metres, the SEAT IBX Concept expands Europe's extremely successful compact SUV segment with a highly dynamic and unique design alternative. And with its combination of compact dimensions and wide-ranging versatility, the SEAT IBX is the perfect fit for an active lifestyle in the world's urban areas.

Determined renewal of the brand

"With the IBX, we are once again demonstrating just how intensively we are working on the renewal of the SEAT brand, and how determined we are to develop for the future," says James Muir, President of SEAT, S.A. "The IBX represents the values of the SEAT brand perfectly - with its unique design, its youthful energy and its outstanding sustainability as a result of its hybrid drive concept. Even though a decision has yet to be taken, we could certainly envisage the IBX as a future expansion of our product portfolio."

2011 Volkswagen Bulli Concept


The Volkswagen bus, like no other car, stands for the spirit of freedom. It debuted over 60 years ago in 1950 with a contagiously simple design. Its internal Volkswagen code name was T1 for Transporter 1. The Germans called it the Bulli, and to Americans it was the Microbus. It was driven on all continents. And the world's first van is still appreciated by a fan base which spans the globe. Now Volkswagen is reinterpreting the compact original form of this automotive legend and sending it into the future - in the form of a concept vehicle for a new generation VW Bulli! It is spacious like it was in 1950, it is as inspirational as ever, and it has clean styling like never before.

In this vehicle, Volkswagen is finishing what it started in 2001: ten years ago, the vision of a new Volkswagen Bulli led to an unforgettable concept vehicle known as the Microbus. But some visions need to mature before they yield something new. Now, the time is right for this vision. That is because the concept was sharpened, and the necessary, sustainable technologies are now at hand. More compact and affordable than the earlier concept vehicle, it is now being shown at the 2011 Geneva Motor Show. The new VW Bulli - powered by an electric motor and fitted with six seats and infotainment control via iPad.

This concept has the potential to establish a new, fifth brand of people carrier next to the Caddy, Touran, Sharan and its large counterpart - the Caravelle. The Volkswagen Bulli could even become an icon like the T1 Samba that still trades at extremely high prices today - one of those few vehicles that simply do not fade with time.Zero emissions - up to 300 km on a single battery charge

Thanks to highly advanced drive technologies, the Bulli being shown in Geneva is what is referred to as a 'zero emissions vehicle,' because the concept is electrically powered. Zero emissions at the tailpipe. The VW Bulli's electric motor outputs 85 kW of power and an impressive 270 Newton metres of torque. As is usual with this type of drive, its maximum forces are generated from standstill. The silent motor is supplied with energy from a lithium-ion battery with a maximum storage capacity of 40 kWh. This electrifying combination enables driving ranges of up to 300 km - a high value for an electric car. When the Bulli's battery is charged at an "electric refuelling station" specially designed for electric vehicles, the charging process takes less than one hour.

The new Bulli accelerates from 0 to 100 km/h in 11.5 seconds, and its top speed is 140 km/h (electronically limited). Its range and driving performance not only make the compact vehicle ideal for short distances; but also ideal for most commuters and recreational activities with zero tailpipe emissions.

Naturally, the concept can also incorporate Volkswagen's extremely efficient petrol and diesel direct injection engines as alternative drives. Engines with 1.0 or 1.4 litre displacement that are fuel efficient yet strong; this is downsizing by the book. Ideal for anyone who wants to cover maximum distances with minimal fuel consumption.

Bulli - the idea goes back 64 years

Without the Dutch Volkswagen importer Ben Pon, the T1 might not have existed, and of course neither would the Volkswagen Bulli concept vehicle at Geneva. That is because Pon was the person who on 23 April, 1947, sketched a picture of a compact bus in his notebook. Actually, the Dutchman's drawing was a simple side view of a radically shortened public omnibus placed over the wheelbase of a Beetle with an "m" for "motor" written on it. That was it. The world's first van was born. Great ideas usually just take a few strokes of the pen, but then they require a dedicated effort to implement them. Volkswagen designers took this sketch and created the bus that became an automotive icon with the characteristic "V" in front.

The Bulli concept vehicle now follows in the footsteps of the original bus and demonstrates the concept of maximum space utilisation with the characteristic "V" with VW logo at the front end and the cleanest of proportions. In the process, the concept vehicle's design follows the maxims of the new Volkswagen "design DNA." Retro? Hardly. It is a Volkswagen! The team led by Walter de Silva, Head of Volkswagen Group Design, and Klaus Bischoff, Head of Design of the Volkswagen brand, developed the "design DNA" for the modern era based on styling principles of the bestselling Beetle, Golf I and T1.

Design - visual world of a masterpiece

The new edition of the Bulli is 3.99 metres long, 1.75 metres wide and 1.70 metres tall. The T1 was somewhat longer and taller, but narrower. With a wheelbase of 2.62 metres, the Volkswagen Bulli utilises the overall length very well. Also striking here are the Bulli's relatively large track widths (1.50 m front and rear) in relation to body width.

Front end: Like the Samba bus before it, the Bulli being presented in Geneva also has two-tone paint - in this case white and red. The "V" on the bonnet, is kept white. The bonnet does house the engine: instead of rear-wheel drive with a boxer engine, as on the Samba, the Volkswagen Bulli has an electric motor located forward of the front axle and front-wheel drive. Here it is a compact integral drive whose primary components are an E-motor, high-voltage pulse inverter and DC/DC converter for the 12-Volt electrical system.

In keeping with the Volkswagen design DNA, there is a horizontal layout of the narrow dual headlights with L-shaped LED daytime running lights and turn indicators implemented as LEDs arranged in an inverted L shape at each outer corner. Incidentally, LEDs not only exhibit tremendous luminous power and long life; due to their low energy consumption they are ideal for the electrically powered Bulli of 2011. Located between the headlights in the bonnet is, as always, the VW logo. On the level beneath, one finds - once again arranged in a horizontal line - the air intakes for the passenger compartment and for battery cooling or for cooling the alternative conventional drives.

Finally, the bumper that is seamlessly integrated in the front end completes the design. Laterally, it exhibits a large round fog light on each side, another air intake in the middle, and a front spoiler in black below. This line matches the lines of the side sills.

Side profile: The Bulli's two-tone paint also distinguishes the sides. Treated in white is the entire area above what is known as the character line. Originating in the wings is a white stripe that runs to the distinctive D-pillars; above them, the entire roof section is painted in this colour. The continuous line of windows creates an especially striking contrast between the white sections. Here the visually slender black pillars executed in the style of the 2001 Microbus concept are visually striking. Painted in red are the door mirror housings protruding from the line of windows.

Beneath the character line is the red body area. Design elements such as the distinctive wheel housings, the additional shape modulation in the door surfaces above the side sills and the headlights that wrap around to the sides with minimal seams are details that would not have been possible to manufacture in this form and precision on a T1. Concealed in the sandwiched floor behind the sills is the 1,450 kg Volkswagen Bulli's lithium-ion battery. The white door handles are practical, opening in the direction of pull. The 18-inch alloy wheels are especially attractive. At their centres are stylised chrome hubcaps - another tribute to the bus of years past. Shorter than ever are the overhangs at the front and rear.

Rear section: The Volkswagen design DNA with its horizontal lines also dominates the rear of the new Bulli. Viewed from the bottom upwards, above the body-coloured bumper (including black, stylised diffuser) there is the tailgate that extends across the entire width of the vehicle. In the tailgate, the narrow LED rear lights continue a theme from the Microbus concept of 2001. At the centre, but smaller than at the front end: the VW symbol. When all six seating locations are fully occupied, there is a 370 litre bootspace behind the tailgate.

Interior space - melding of car and iPad

Like the body design, the interior is also marked by a level of clarity whose consistent application can only be found at Volkswagen. The passenger compartment - immersed in light during the day thanks to its panoramic sunroof - also harbours some surprises.

A practical highlight: like the T1 in times past, thanks to its level floor the new Bulli is also equipped with a single bench seat in front. The van offers space for three in the rear as well.

An infotainment highlight: a removable iPad in the centre console serves as a multifunctional touchscreen. Along with Internet-based iPad applications and the media centre, it also handles control of such functions as Bluetooth hands-free telephone and a navigation system. Integrated right on the iPad mount are controls for the climate control system and the centrally located hazard warning switch.

Typical Volkswagen: all cockpit details are clearly organised and designed to be intuitive. Running laterally across the entire width is a line with air vents. In front of the driver, there is a speedometer in the shape of a semicircle. A colour multifunction display, also semi-circular in shape, can be used to view and control (via multifunctional keys in the steering wheel and on it) the navigation system, telephone, trip computer and media centre - the entire unit of speedometer and multifunction display also communicates with the iPad. The key word here is sound: a system produced by legendary guitar and amplifier manufacturer Fender (USA) ensures that the music sounds as though it were being performed live. At Woodstock in 1969, Jimi Hendrix played "The Star-Spangled Banner" - the American national anthem - on a Fender Stratocaster guitar.

What is not found in the Volkswagen Bulli is a tachometer (unnecessary with an electric motor) or a conventional gear shift or gear selection lever (also unnecessary with an electric motor). The latter is replaced by a rotary switch to the right of the driver, which is used to activate forward and reverse gears. A pushbutton in the same switch is used to start and stop the motor. Another rotary switch to the left of the driver is used to control the lighting functions.

Seats become reclining surface in an instant

The outer and middle seat positions of the front bench seat can be folded down (2/3 split); the rear beach seat, meanwhile, can be completely stowed. When the rear bench seat is stowed, cargo capacity increases to 1,600 litres. In addition - and here the new Bulli is reminiscent of its legendary ancestor - the seat system can be transformed into a large reclining surface with just a few manual movements. This turns the compact MPV into a compact camper - the ultimate companion for a weekend trip.

At least as important for many users, however, is that the seating system should not only be versatile but also offer maximum comfort. The seat position is comfortably high and is equally relaxing. As an added benefit, it offers an optimised view forward as well. And that is how it was in the T1 too. Contributing to peace of mind aboard today's vehicle is the fact that the new era Bulli is equipped with all conceivable safety features. And that is the crucial difference: the car has essentially been reinvented since the days of the first T1 aka the Bulli aka the Microbus.